Daniel Núñez (Madrid, 1988) es un artista visual divergente entre el diseño y las artes plásticas.
Formado como diseñador e ilustrador en las Escuelas ESDIP y CES de Madrid, e instruido en las artes plásticas y visuales bajo la tutela de l@s artist@s: Antonio Lancho, Jorge Pedraza, Marta Maldonado e Isabel Álvarez.
Su desarrollo artístico esta influido de estilos tan variados como: el Art Brut o el neo-expresionismo abstracto, dentro del contexto del arte urbano.
Sus soportes pictóricos transitan entre los lienzos y los muros e incluyen la instalación o la intervención sobre fotografía. Esta experimentación sobre el soporte es resultado de un aprendizaje constante y una necesidad de crear casi obsesiva. Su objetivo personal es el desarrollo de un lenguaje propio, cuya conclusión es la reflexión sobre el discurso tradicional de la pintura, creadora de una nueva narración.
En su obra trata de representar a través de una simbología aleatoria que rodea sus imágenes, su propia realidad bajo una mirada particular e intuitiva, nacida de procesos oníricos y espontáneos que se ven soportados con su devenir diario. Su interés por objetos y nuevos materiales, incide sobre el significado subjetivo que le otorga la contextualización que le rodea, plasmado en la integridad de su obra.
Para Nuñez el lenguaje minimalista, es el aglutinante y establecedor del nuevo orden del mundo de las ideas para la representación de lo intangible en lo material.
Daniel Núñez (Madrid, 1988) is a divergent visual artist between design and plastic arts.
Trained as a designer and illustrator at the ESDIP and CES Schools in Madrid, and instructed in plastic and visual arts under the tutelage of the artists: Antonio Lancho, Jorge Pedraza, Marta Maldonado and Isabel Álvarez.
His artistic development is influenced by styles as varied as: Art Brut or abstract neo-expressionism, within the context of urban art.
His pictorial supports move between canvases and walls and include the installation or intervention on photography. This experimentation on the support is the result of constant learning and an almost obsessive need to create. His personal objective is the development of his own language, the aim of which is to reflect on the traditional discourse of painting, creating a new narrative.
In his work he represents through random symbologies that surround his images, his own reality under a particular and intuitive gaze, brought from dreamlike and spontaneous processes that are supported by his daily evolution. His interest in objects and new materials affects the subjective meaning that gives him the contextualization that surrounds him, reflected in the integrity of his work.
For Nuñez, minimalist language is the force and establisher of the new world of ideas for the representation of the intangible in the material..
Trained as a designer and illustrator at the ESDIP and CES Schools in Madrid, and instructed in plastic and visual arts under the tutelage of the artists: Antonio Lancho, Jorge Pedraza, Marta Maldonado and Isabel Álvarez.
His artistic development is influenced by styles as varied as: Art Brut or abstract neo-expressionism, within the context of urban art.
His pictorial supports move between canvases and walls and include the installation or intervention on photography. This experimentation on the support is the result of constant learning and an almost obsessive need to create. His personal objective is the development of his own language, the aim of which is to reflect on the traditional discourse of painting, creating a new narrative.
In his work he represents through random symbologies that surround his images, his own reality under a particular and intuitive gaze, brought from dreamlike and spontaneous processes that are supported by his daily evolution. His interest in objects and new materials affects the subjective meaning that gives him the contextualization that surrounds him, reflected in the integrity of his work.
For Nuñez, minimalist language is the force and establisher of the new world of ideas for the representation of the intangible in the material..